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gomarky.com -- The Experimental Art of Mark Rosal

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Course Description There is nothing as powerful as the idea. From it grows every aspect of the craft... art direction, copy, choice of director, editing style, etc. This class is about developing a portfolio filled with what every creative director looks for most... people with ideas. There will be weekly assignments and critiques to build a book for the new world.

Bob Kuperman, Chairman, CEO DDB New York. (from SVA continuing ed. course book) Pratt Institute. Formerly, President, CEO, Chiat/Day, Los Angeles. Legendary art director with over 300 awards, including: The One Show, CLIO, Art Directors Club, D&AD, Cannes Lion. Associations include: Director-at-Large, American Association of Advertising Agencies; World Chairman, AME International Awards-the New York Festival.

(from handout at class -- shortened) Began career in 1963 at Doyle Dane Bernbach as art director. Award-winning advertiser during 3 years as head of Volkswagon group -- collection of ads in Smithsonian. As President and CEO of the Americas at TBWA Worldwide, Kuperman was personally responsible for the global advertising on Sony, Seagram and Apple.

 

 

 

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Class One 9/18 -- Intro & Expectations

Forecasting an Exciting and Challenging 12 Weeks.

Objective & Background
- To create a strong portfolio of work based on strong ideas.
- Kuperman's first portfolio featured a drawing of a cave, hand lettering and a manhole rubbing; At which point, went back to Pratt.
- Got into teaching after Pratt.
- Kuperman will not split us up into groups -- this is individual work; "If I can get two people who can, on their own, be great thinkers, they can be a great team together."

The Idea
- Kuperman's defines an idea as taking two things that already exist separately and putting them in a new relationship.
- Being able to put these things together to create a new thought is important (to good advertising ideas).

Ads
- Ads are not communication, they are persuasion.
- e.g. A 50mph sign is communication but a 50mph sign with a cop next to it is persuasion.

Three Steps to Creating Advertising
1 - Be Clear.
2 - Be Meaningful.
3 - Be Mindful of How You Say Things.
- Say things in a unique, imaginative and memorable way.
- "Dull, boring, unimaginable advertising can be just as effective as creative advertising, it just takes more money."
- The Aesthetic Choice -- "If we can say it both dull and imaginatively, then say it imaginatively." - Bill Bernbach (Founder of DDB and Father of Advertising's Creative Revolution.)
- "How you say things is as important as what you say." - Bill Bernbach.
- Most good advertising concentrates on saying one thing.
- Being creative for the sake of creativity (in advertising) is just a waste of time; If you can do it meaningfully, it works.

Personal Symbolism
- Pictures and words have certain meanings to people.
- How you use these picutres and workds are important.
- Icons that are familiar have power.
- Be objective with your work; DDB often tapes what they want to say to war room wall and they compare concepts to that.
- It will be important in this class to understand why something we did might not work.

Side note: Kuperman said the campaign he was most proud of over the years was the 1973 Meow Mix product launch. The meowing cat was an accident. While reviewing film, he asked the editor to set aside a small section of film with the can mouthing "meow". Kuperman looped the mouthing feline for 16 seconds and the rest is history. It is still the most successful product introduction in Ralston Purina's history.

Assignment One
- Convince USOC to vote November 3 in favor of NYC over San Francisco to represent the US for competition for 2012 Summer Olympics.
- 3 Direct Mail Pieces/mailed ads, sent 2 weeks apart.
- Unlimited budget
- 1/3 athletes, 1/3 community leaders, 1/3 heads of sports.

 

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