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gomarky.com -- The Experimental Art of Mark Rosal

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Course Description There is nothing as powerful as the idea. From it grows every aspect of the craft... art direction, copy, choice of director, editing style, etc. This class is about developing a portfolio filled with what every creative director looks for most... people with ideas. There will be weekly assignments and critiques to build a book for the new world.

Bob Kuperman, Chairman, CEO DDB New York. (from SVA continuing ed. course book) Pratt Institute. Formerly, President, CEO, Chiat/Day, Los Angeles. Legendary art director with over 300 awards, including: The One Show, CLIO, Art Directors Club, D&AD, Cannes Lion. Associations include: Director-at-Large, American Association of Advertising Agencies; World Chairman, AME International Awards-the New York Festival.

(from handout at class -- shortened) Began career in 1963 at Doyle Dane Bernbach as art director. Award-winning advertiser during 3 years as head of Volkswagon group -- collection of ads in Smithsonian. As President and CEO of the Americas at TBWA Worldwide, Kuperman was personally responsible for the global advertising on Sony, Seagram and Apple.

 

 

 

Class Note Archives
Class One 9/18  |  Class Two 9/25  |  Class Two 10/2

This week, DDB New York's Executive Creative Director John Staffen steps in as class instructor.

 

Class Four 10/9: Creative Substitute

Executive Creative Director John Staffen steps in as substitute


Quick Review of Assignment Three: 3 Ad Concepts as a Campaign

- Background: Svedka Vodka is wants to compete with vodkas like Smirnoff Vodka.
- Their current ad campaign uses sex.
- Net Impression: Svedka is a high-quality ad at a reasonable price.
- Brand Character: The ads should be spontaneous, uninhibited, spirited, sexy, cool.
- Executional Mandatories: Print, 3 ads in a campaign manner -- Kuperman wants to see how the idea works in ads in succession.
- Also, bring in all scribbles and notes that lead to the final concept.
- "There are some categories where you'll almost always deal in parity (e.g. fashion, liquor, cigarettes, etc.) Sometimes it's the the way it looks that is the idea of the brand."
- NOTE: There is more background information that I will not divulge for ethical and possibly legal reasons.

View my Ad 1 of three  |  Ad 2 of three  |  Ad 3 of three

Staffen's Work Background
- Had Bob Kuperman as a teacher.
- His first job in 1985 was at DDB, went to Chiat/Day LA, went back to DDB NY, went to Ogilvey and Mather, went back to DDB NY, went to DDB Chicago office and is now back at DDB NY for the fourth time and has been there for the past two years.
- Said he's drawn to DDB because creativity is in the agency's DNA. Few agencies tend to be consistently more creative than others and DDB NY is one of them.
- He has over thirty creatives reporting to him -- combination of art directors and copy writers.
- Worked on creating the Michelin Tire ads with the babies in the tires, New York Lottery's "Hey, you never know." campaign.

"Be Svedka."
- A fellow student came out with a concept of headlines with visuals of goofy people and a tagline, "Be Svedka."
- It was a good concept except it worked better if it killed her headlines, pushed the visuals to be goofier and kept the tagline.
- It does a great job of creating a new language visually.

"Spend the Night."
- A fellow student had candid photos of people having fun with the headline "Spend the night with Svedka. Just send us the snapshots."
- Again, he took out a lot of copy (subheadline, body copy and tagline) and said that he should concentrate on the main idea of the snapshots.
- The promotion of sending photos back in is what makes the campaign so real -- even if nobody sends any ads in.

Pealing an Onion
- The creative brief builds your ideas. It's up to the creative director to edit the ideas.
- It's like pealing layers from an onion -- he has to take away the unnecessary things that were over-built with the brief.
- Kuperman typically introduces John by saying, "John takes out the garbage."

Too Much Copy Can Work -- Sometimes
- Helmut Krone once created a Porsche ad spread with a photo of a Porcshe with tons of copy, no headline and basically looked like engineering notes artfully rendered.
- It made you think that there was a TON of technical stuff that made it more than worth the price tag.
- "It wasn't the copy itself that made it work -- it was the IDEA of the copy."
- Liquor advertising is so much about how an image is treated.

Speak of the Devil
- My concepts were next and he liked the way the images were treated -- they had their own look.
- View my Ad 1 of three  |  Ad 2 of three  |  Ad 3 of three

Good Advertising
- Real good advertising quite often comes out of some human truth.

Assignment Four: 3 Ad Concepts as a Campaign Due Wed., Oct. 16, 2002
- Opportunity for the Advertising: Stand apart from all the rest by bringing kids a Reese's Peanut butter taste experience all of their own. It's different with Reese's Pieces. There are other candies that are similar to the size and shap of Reese's Pieces, but only Reese's Pieces delivers just a peanut butter taste. And while competitors might speak to their own unique taste, none combine that with the actual eating experience kids enjoy.
- Audience: Kids ages 6 - 14 (bulls eye -- 10 years old). Although taste appeal is the first thing that kids talk about when it comes to candy and sweets, they really want more. They care about why and what makes it fun to eat. Every kid has his or her own candy preferences. Some like sour, some like chocolate, others crave peanut butter. They also have their own way of consuming. It's a personal thing.
- Proposition: Peanut butter you can play with.
- Why is this true: 1) The creamy taste of Rease's Peanut Butter and 2) Its size, shape and unique color combination lend to creative eating... any way that you want.
- Tone: Engaging, imaginative and energetic.
- Positioning: To kids 6-14, Reese's Pieces is the only candy that gives you creative ways to enjoy the creamy taste of Reese's Peanut Butter because of its size, shape and unique color combination.

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